(VigilantCitizen) Disturbing paintings depicting various scenes of ritual abuse are on display near the entrance of the Lloyd George Federal Courthouse in Las Vegas.
Related: Who or What is the Whore of Babylon — Exposing the Cabal’s Global Child Abuse Network | Blackmail via Pedophilia, Banking, Jesuits, and more
Source – HumansAreFree
by VigilantCitizen, December 12th, 2017
The official website of the United States District Court of Nevada states:
“The cornerstone of the Amercian judicial system is the trial courts … in which witnesses testify, juries deliberate and justice is done.”
– William H. Rehnquist, Chief Justice of the United States
If that is the case, why are there paintings of birds raping people displayed at the Las Vegas Courthouse?
According to Redoubt News:
“These paintings were hung in the very front of the courthouse, next to the main entrance. (…) These are reportedly created by local high school students. Their teacher said to one of the complainants, “They are learning that they don’t identify people by their faces.”
The article states that nobody at the courthouse took responsibility for okaying these paintings.
A closer look at these paintings reveals that their message goes way beyond “Don’t identify people by their faces” (whatever that means). Indeed, the paintings are replete with imagery and symbolism relating to Satanic Ritual Abuse (SRA) and trauma-based mind control (known as Monarch Programming). They tell a disturbing story of abuse at the hand of extremely evil people, which leads me to doubt that those were made by high school students.
Here are the paintings. Warning: Graphic imagery.
A bird violating a young girl while another bird watches over.
In occult symbolism, a unicorn is a phallic symbol (emphasized by its single horn). In ancient myths and legends, it is said that the unicorn can “only be tamed by a virgin”.
Is the unicorn (named Evil King) violating virgins?
These paintings are strikingly similar to the art of Kim Noble, a Monarch programming survivor.
Noble’s painting “What Ted Saw” depicts the abuse of a small child as others “help” and watch over.
A headless and limbless mannequin wearing a mask. A typical way of representing powerless slaves.
Kim Noble’s painting “Armless Goddess” portrays a hopelessly powerless figure, ironically referred to as a goddess.
In Conclusion
The series of paintings on display at the Lloyd George Federal Courthouse appear to tell a horrific story of ritual abuse. The main handler is represented by a unicorn (a phallic symbol) who is named “Evil King”. More abuse is committed by birds with human bodies. The fact that the abusers are animals probably alludes to the fact that dissociated slaves have little to no contact with reality. In all of the paintings, the slaves appear completely out of it or passed out.
These slaves are represented as faceless figures wearing masks, representing their core personality being replaced by an alter persona created by the handlers. The masks worn by the slaves resemble those worn in masked balls à la Eyes Wide Shut, where elite individuals partake in ritualistic copulation.
The aim of Monarch programming is to cause trauma so intense that it forces slaves to dissociate from reality as a natural defense mechanism. The paintings at the Las Vegas Courthouse depict exactly this process using disturbing symbolism.
Why are these horrific paintings displayed at a government building dedicated to law and justice?
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