David Wilcock commented on Benjamin Fulford’s post from September 2st 2014 wherein David describes the disclosure we were promised many years ago (Ala NESARA, Whitehats and the like) is happening right now through movies, tv shows and video games on a massive multi-media scale. We have been watching a good share of popular media over the years for these disclosures and feel there is definitely a heavy amount of it happening right now.
Julian and I were just discussing Captain America 2: The Winter Soldier with those gathered here in Morocco, the movie is jam packed with disclosure of all types. We shared a technique for decoding media in the post Decoding Movies (Maxims and Aphorisms): 7 Lessons J.K.Rowling taught us about life.
I just watched “Captain America: The Winter Soldier” last night, since it only just came out as a purchase-only film available for streaming. I think the rental option shows up later in September. The timing of this film becoming available for home viewing may very well be intentional.
Anyone who still doesn’t believe there is an international alliance working to defeat the New World Order, and that this alliance includes members of the US military and intelligence community, really needs to watch Captain America.
The seemingly towering impossibility of one man and a handful of his allies taking on the greatest evil cartel on earth, fully interwoven into the government and intelligence community, and winning, is very satisfying to watch.
If you combine this film with Ironman 3, both of which are part of the same Avengers franchise, you can see that hundreds of millions of dollars are being spent to tell us the truth and prepare us for major changes ahead.
These films are being used to telegraph high-level arrests of the Cabal. It is disclosure disguised as entertainment.
These films are also being used to prepare us for the fact that power must be used to defeat power. We’re not going to blog away the problem with clicky keyboards. Government agencies, such as the CIA and FBI, will need to act against other agencies, such as the NSA. That’s what we are being prepared for.
Stan Lee
It is utterly amazing that these films happened at all. I strongly suspect Stan Lee has had a lot to do with it. We can almost be certain that he was contacted by senior members of the US military who are involved with the Alliance, and who gave him extensive briefings on what’s really going on.
Notice how Stan has completely distanced himself from the X-Men franchise, which has blatant Illuminati imagery and propaganda in every film. The primary director of this franchise has now been accused of pedophilia yet again, after the previous accuser dropped his case since no lawyer had the stones to take it:
I know someone who worked on a writing project with Stan and he was very specific in saying that “the good guys need to be good and the bad guys need to be bad.” He completely rejected the modern style of hero/villain ambiguity, which is heavily influenced by Cabal films such as the rebooted Batman franchise.
I think as Stan has continued waking up to the truth, so have his movies. Even if he only has ten points, i.e. 10 percent, of the profits from The Avengers, he has enough money now to send out the message.
The Avengers had typical Cabal elements of alien invasion and no real sign of this Cabal exposure material. It was only after this success that Stan shocked everyone in the truth community with Ironman 3.
The Avengers was the number-one movie of 2012, by a significant degree:
http://boxofficemojo.com/yearly/chart/?yr=2012&p=.htm
It literally grossed 1.5 BILLION dollars worldwide on a budget of 220 million, making it the number-one most profitable film of all time:
http://boxofficemojo.com/movies/?id=avengers11.htm
I have no idea what Stan has for points, but if he has ten points, and the net profit ended up being a billion after all the writeoffs, he’d still come out with 100M — more than enough to get films made his way, and then bring in co-financing agreements to finish the film on his terms.
As the owner and licensor of the entire Marvel franchise, there is no question that Stan Lee gained enough political and financial power from this epic hit to start making movies his own way — on his own terms — by his own rules.
I believe we started seeing that right away with Ironman 3, and even more so with Captain America, which was undoubtedly inspired by the Snowden documents.
I do plan on taking some time and writing this up for my next post, which is now overdue, but here are the highlights:
Ironman 3 appears to be a film that was written to deliver a core of information using entertainment. A fearsome Bin Laden villain — the world’s greatest terrorist — turns out to be a bumbling drunk actor, given women and cash as a bribe to play the part. He doesn’t even have the accent.
All of his terror attacks were staged by none other than a corporation working for the Vice President of the United States. The VP is almost certainly intended to represent Cheney based on his hairstyle and demeanor. The VP is literally arrested and marched off in handcuffs at the end of the movie after the whole plan is exposed.
Now you have to combine that basic message of state-sponsored false-flag terrorism — which should still be very relevant with the manufactured ISIS threat — with what we are now seeing in Captain America.
I don’t want to spoil the plot, as you definitely should see it, but at the midpoint of the film, about an hour into it, there is a mini-documentary that completely exposes the New World Order — by name.
Scarlett Johansson says that Nazi scientists were brought to the US under “Operation Paperclip”, which is true. We find out that SHIELD, an organization obviously patterned around the NSA and government intel military apparatus, has been infiltrated and compromised by a group of Nazi loyalists — called Hydra.
The Hydra logo is very close to Skull and Bones — a skull with octopus-like tentacles underneath it that stylize a similar image as the Skull and Bones. All of this is by design, not at all accidental.
During this same section we see a brief image of Julian Assange from Wikileaks — a point that comes back later.
The term Hydra takes the “sting” and stigma out of a word like Illuminati, but it’s literally the same thing. We hear that Hydra’s goal is for a “New World Order,” in which anyone who resists them is killed, and they then can rule over a planet with order instead of chaos.
We see a US senator, played by Garry Shandling, give a senior SHIELD operative a suspicious, Masonic-style handshake, lean in and whisper into his ear, “Heil Hydra.” It is very likely that Shandling knows the truth, as everyone now has been exposed to it online, and wanted to help out.
Hydra’s plan is to launch three hovering aircraft carriers, code-named Project Insight. Hydra used SHIELD’s mass surveillance capabilities to target everyone who is awakening to their plans, or who WILL awaken to their plans in the future based on their current activity patterns, and kill them. The number is estimated in the film to be about 20 million.
The killing is planned to be done by huge batteries of guns on the hovering aircraft carriers. These guns are able to electronically target where everyone is and shoot them. The whole operation will only take minutes to complete itself.
The climax of the film requires our hero and his allies to plant two chips that rewrite the code into the bellies of each of these floating carriers, just minutes before they fire on everyone — in the classic “ticking clock” plot device.
The first area the weapons are targeting is the Northeast — all around Washington DC, New Jersey, New York, Pennsylvania, Virginia, Vermont, New Hampshire, Massachusetts, Connecticut, et cetera. It is implied that they will then move from location to location and systematically take out all Hydra dissenters in the world.
I was amazed to see this in a film because similar weapons platforms do already exist, although they are extremely classified. There is already an ability to target anyone from space and wipe them out, very quickly, in mass numbers. Therefore there was real disclosure in this film — on a variety of levels. I did not expect this and was shocked. I highly doubt Stan came up with this on his own — it was leaked to him by someone very much in the know.
As expected in Hollywood, the good guys save the day, and the leaders of Hydra are exposed. Scarlett’s character is personally responsible for leaking the entire contents of documents about SHIELD and Hydra onto the internet, Julian Assange-style.
The leader of Hydra warns her that if she does this, her cover will be blown and she will be held accountable for her past as well. Indeed, we see her end up in high-level government hearings.
A key moment comes in her speech. SHIELD has been disbanded. Many Hydra members got away and the fight is still not over. The senators are tearing into her, saying that by her doing what she did, she has exposed the United States and the world to all manner of threats.
She then said that the people who worked for these intelligence agencies are still out there, and they are still the most qualified and knowledgeable people to protect us from the bad guys. We then cut to images of FBI and CIA agents we met in the film, and who became heroes, training with their guns.
As much as the truth community tends to want to distrust everyone, and suspect everything, the simple fact is that power is needed to counteract power. Not everyone is “in on it,” as I’ve been saying. This is a very real-world story in which many people are waking up to what is going on, including within the agencies themselves, and are saying “enough is enough.”
So what we’re seeing in Captain America is a 170 million-dollar disclosure film, which has so far grossed 259 million domestic and 454 million internationally.
http://boxofficemojo.com/movies/?id=marvel14b.htm
That’s 714 million — proving that telling people the truth pays. Combined with the huge success of Ironman 3, we can be certain that movies like this will continue to be made… for as long as they are necessary.
These films are obviously built to deliver disclosure. They start with the information that the alliance wants to convey to the world, and then they build a compelling storyline around it to deliver the message in a commercially viable and entertaining fashion.
You will notice that despite the very obvious, in-your-face themes, highly relevant to modern issues just like Ironman 3, not a word about it has been mentioned in the controlled mainstream media.
This is the case despite the fact that Captain America is the second largest-grossing film of the year, only being trumped by Guardians of the Galaxy:
http://boxofficemojo.com/yearly/chart/?yr=2014&p=.htm
Ironman 3 was the number-two movie of last year, beaten only by “The Hunger Games: Catching Fire.” Interestingly, the Hunger Games film also predicts a revolutionary uprising against a New World Order-type totalitarian dictatorship, with a surprising twist at the end.
http://boxofficemojo.com/yearly/chart/?yr=2013&p=.htm
Seen together, Ironman 3 and Captain America: TWS are now the two biggest, most compelling pieces of physical proof that what we have been talking about is real.
I do not consider it “ego” to be risking my life to leak this, though that accusation is used by almost every hater out there. If I had a big ego I would want to duck down, seek cover and protect my own ass.
No, this is real, and as the Cabal infrastructure collapses, we will step into a wonderful new reality much faster than people could have ever expected. By releasing the six thousand classified patents, we will be entering into the real Space Age — and things will take a remarkable turn for the better.
The Winter Soldier blatantly showcases the illuminati’s entire NWO play book and then some.
by Deus Nexus
(Spoiler Alert, but then if you are reading this commentary you mostly likely don’t care.)
Right from the trailer, I could tell the new Marvel Studios film, Captain America: The Winter Soldier, was going to be loaded with New World Order innuendo. However, the film itself packs quite a gut punch – a blatant documentary of the shadow government’s rise to power on the eve of achieving their totalitarian dream, that throws us a curve ball, exposing the larger duality game.
Of course, to the average awakened person, none of this is new information. The plot of the film unrolls like a colorful recapitulation posted on any alternative media site. No, what is shocking is that the plot of this film is so blatant, and yet the general audience sitting in the theater is still completely oblivious, munching on their genetically modified popcorn, utterly brainwashed and brain-dead, long accustomed to being spoon fed concealed truth as cinematic fiction. It has almost become a cliché.
Strictly from a film-goers perspective, this is a very good movie, a tense and intelligent political thriller – a film made for adults, not the usual adolescent comic book fare. But then this is hardly surprising considering Marvel’s recent track record. Marvel Studios has managed to achieve something astounding in the history of comic book franchises. While the legacy studios continue to run around in circles chasing a fast buck, constantly rebooting the same tired stories with mediocre results (i.e. Superman, Batman, Spiderman) Marvel Studios came out of the gate with a long-range game plan to build a super-franchise of superhero movies, tying them all together under the “umbrella” of The Avengers. Such well conceived long-term planing is atypical for any Hollywood studio and suggests an iron hand at the creative helm. In other words, a boardroom of studio bean counters is not calling the creative shots here.
September 6, 2005 – Marvel Enterprises, Inc. announced today the completion of a $525 million non-recourse debt facility which will finance Marvel’s production of up to ten films based on characters from its famous stable of comic book characters, including Captain America, Nick Fury and The Avengers.
The seven-year, $525 million facility was arranged by Merrill Lynch, Pierce, Fenner & Smith Inc. and consists of $465 million in revolving senior bank debt and $60 million in mezzanine debt. – Marval.com News
Marvel made a huge gamble in a bid to build an independent studio, but then perhaps it wasn’t really that much of a gamble after all. I can think of only one other franchise venture which financed itself to remain independent from the Hollywood studio system – George Lucas’ Star Wars empire, which he has since sold off to Disney.
Of course, the entities behind the financing may very much influence the overall message being delivered, as is the case in most big Hollywood films.
The Winter Soldier takes place two years after the events of The Avengers. Steve Rogers, aka Captain America, who was thawed out from a deep freeze since World War II, continues to adapt to modern American life, working for S.H.I.E.L.D., a modern update on the Military Intelligence Industrial Complex (which has the word ‘Homeland’ (as in the Department of Homeland Security) buried in its acronym. At S.H.I.E.L.D. headquarters, Nick Fury introduces Rogers to Project Insight; three Helicarriers linked to spy satellites and designed to preemptively eliminate threats.
Nick Fury: We’re gonna neutralize a lot of threats before they even happen.
Steve Rogers: I thought the punishment usually came after the crime.
Nick Fury: Shield takes the world as it is, not as we’d like it to be.
Steve Rogers: This isn’t freedom. This is fear!
From the start of the film, Rogers has a problem with the dark direction of America’s foreign and domestic policies – total surveillance, drone strikes, thought-crime à la “Minority Report”, an institutionalized culture of compartmentalization and fear. Rogers represents old-school American patriots uncomfortable with America’s gradual transition into a police-state – wary of an agency willing to employ false flag events, dramatized in the very first action sequence.
Director Fury thinks the Captain needs to “get with the program,” that is until Fury discovers a sinister plot buried inside of S.H.I.E.L.D. Now his own life is in jeopardy. Nick Fury seems to represent the American commanders and generals who are suspiciously dismissed from duty, the inside whistleblowers who are ultimately silenced. Fury manages to escape assailants disguised as police officers, led by a mysterious assassin called the Winter Soldier.
In Rogers’ apartment, Fury informs Rogers that S.H.I.E.L.D. has been compromised. He hands him a flash drive of data, warning him to trust no one. What we’re basically watching is the undercover war taking place deep within the intelligence community, between the so-called ‘white hats’ and the ‘black hats’ which has been the source of so much leaked information and disinformation online, such as provided by Benjamin Fulford among many others.
Captain Rogers: is summoned by senior S.H.I.E.L.D. director Alexander Pierce, also a lead Nazi-Illuminati-Hydra conspirator, played by Robert Redford. When Rogers withholds Fury’s information, Pierce brands him a fugitive and Rogers finds himself a target.
Steve Rogers: I joined SHIELD to protect people.
Alexander Pierce: Captain, to build a better world, sometimes means tearing the old one down, and that makes enemies.
Pierce’s speech is pure Illuminati ideology – raising a New World Order out of the destruction of the old world order, as represented by the Phoenix rising from the ashes, which may in fact be the bird on the S.H.I.E.L.D. logo. Pierce even references the ‘New World Order’ by name – no accident.
Curiously, Marvel has another group of comic book superheroes known as The Illuminati, who joined forces and secretly work behind the scenes in Marvel’s main shared universe. The Illuminati were established to exist in their first published appearance in New Avengers #7 (July 2005).
Using data on the flash drive, Captain America and Black Widow discover an old S.H.I.E.L.D. underground base in New Jersey. What’s more they discover yet another secret underground base underneath, representing the compartmentalized structure of the Illuminati, the black projects buried within classified intelligence agencies, the black world buried within the shadowy aspects of the light. We could extend the same analogy to the Vatican, but that’s another article.
There they activate a dated supercomputer which contains the preserved consciousness of Nazi-HYDRA mastermind Arnim Zola (from the first film) who reveals that S.H.I.E.L.D. was infiltrated after World War II, with HYDRA operating secretly within its ranks, sowing chaos across the globe.
The conspiracy theories within The Winter Soldier are all well-grounded in historical fact – information that has even been documented on the History Channel – giving us a brief history lesson of Nazi Germany’s obsession with the occult and Operation Paperclip which saw U.S. intelligence recruit and smuggle Nazi scientists into America after the war. An excellent book is Unholy Alliance: A History of Nazi Involvement with the Occult by Peter Levenda. It may challenge your view of what World War II was actually about.
Given that the German Nazis were unable to strip away humanity’s freedom by force, they went underground after WWII (known as HYDRA in this film) to strip away our freedom by stealth, hoping that humanity would willingly surrender its freedom in exchange for safety. Zola developed a data-mining algorithm that would identify individuals resistant to HYDRA’s plans (aka NSA total surveillance). The new helicarriers will sweep the country, eliminating these individuals with their satellite-guided guns. In reality, the Illuminati have been secretly preparing the U.S. for martial law, FEMA camps, and mass executions, secretly arming themselves to the teeth.
There’s even a scene in the film where fellow Illuminati-Nazis working within the American government recognize each other on the street. The U.S. Senator says, “Hail Hydra,” which simultaneously seems to remind the viewer of “Heil Hitler” and “Hail Satan” in the same breath.
Unlike many highly messaged Hollywood films, The Winter Soldier is rather light on occult symbolism – the movie’s message is quite blatant enough. However, let’s take a look at the meaning behind HYDRA, Marvel’s version of the Nazi faction of the Illuminati cabal.
In Greek mythology, the Lernaean Hydra was an ancient serpent-like water monster with reptilian traits. It possessed many heads — the poets mention more heads than the vase-painters could paint — and for each head cut off it grew two more. The Hydra of Lerna was killed by Heracles as the second of his Twelve Labours. – Wikepedia.org
The mythical Hydra may bear some resemblance to Dagon, a Babylonian fertility god, who was later immortalized by occult author H. P. Lovecraft as an ancient sea deity in his Cthulhu Mythos stories. However, in researching this piece I came across a rather strange bit of occult theology referencing the Hydra.
The Hydra as a Representation of Osirian Organisational Power Structure
When the Noahidists and Neocons came to power, the world was immediately thrust into a long and brutal war across all fronts, a war that has gone on to bring about a near economic catastrophe for the United States, the home of Osiris (Continental Freemasonry).
Within this larger war were micro images of “beheadings” and the public exhortation to heed these beheadings as proof of some brutal evil set loose in the world. That a brutal evil was set loose should not be remiss by any astute and aware individual. The brutal evil was of course, the thrust to create a New World Order by the the Noahidists and their Synarchic power structures.
What was missed was the Occult symbolism caste in public through the idea of “beheadings”. As shown in Noahidist doctrine, violations of “their” laws of morality are punishable by “beheading”. This is the public doctrine of the Occult reality.
Osirian power structures, dangerous too as they are as they are fused often with too much Setian influence, are still far better for humanity than Setian power structures. As the Osirian systems are represented by the Hydra, the call for beheadings and the imagery portrayed revealed a larger occulted reality that the Setian Noahidists had every intention of going after and “beheading the Hydra”, or the Osirian power structures.
The symbolism was not lost on those in the know.
All opposition to the previous Noahidist Neocon plan was to be squelched. Any investigations into the real truth of 9-11 being an inside job was to be silenced. Media was to be used to fabricate a reality as real as Torah fairy tales impressed on humanity as “factual truths”.
It could be noted that the silence before the unfolding Setian plan to bring about their New World Order was evidence of the Occult idea of “beheading the Hydra”.
Much ruin has been wrought by the Octopus, and the Hydra at times may appear to be far from benevolent. The key to remember here is that the Hydra has many heads, and all people may create their own head even as they are part of the larger body.
From this rather obscure text keep this one significant thought in mind – the ritual of beheading the Hydra – we’re going to come back to that topic shortly.
The other major theme that is blatantly apparent in the film Captain America: The Winter Soldier is MK-Ultra (as it relates to Nazi scientist brought into the U.S.) or Monarch mind control programing. MK-Ultra is well documented. You can learn more about Monarch by reading the Origins and Techniques of Monarch Mind Control. The Vigilant Citizen is pretty much dedicated to all things Monarch, especially symbolism appearing in pop culture.
While Captain America himself should probably be viewed as an early victim of experimentation to create the perfect obedient super-soldier, it is the Winter Soldier who is the clear victim of state-of-the-art mind control programing. Even his name has significance, tracing its origin to the Vietnam War.
The “Winter Soldier Investigation” was a media event sponsored by the Vietnam Veterans Against the War (VVAW) from January 31, 1971 – February 2, 1971. It was intended to publicize war crimes and atrocities by the United States Armed Forces and their allies in the Vietnam War. The VVAW challenged the morality and conduct of the war by showing the direct relationship between military policies and war crimes in Vietnam. –Wikipedia.org
It really comes as no great revelation that Steve Rodger’s old war buddy is in fact the Winter Soldier.
James Buchanan “Bucky” Barnes, was created as a sidekick character in Captain America Comics #1. In 2005, series writer Ed Brubaker returned Bucky from his seeming death near the end of World War II. He additionally revealed that Barnes’s official status as Captain America’s sidekick was a cover-up, and that Barnes began as a 16-year-old operative trained to do things regular soldiers and the twenty-something Captain America normally would not do, such as conduct covert assassinations. –Wikipedia.org
As the movie reaches its climatic conclusion, Captain America enlists his superhero friends to stop HYDRA’s plot to establish a New World Order, issuing a rather moving plea to all American patriots within S.H.I.E.L.D. to stop this dangerous “parasite” that has been growing inside their ranks. Open civil war breaks out within the agency, as agent turns upon agent – probably a worst case scenario that insiders fear – an internal blood bath fighting the Illuminati. Perhaps this blood bath is precisely what the Illuminati wants – to justify martial law.
In the end, the HYDRA-Nazi-Illuminati lose, as they always do in every one of theses movies, and their members are either killed or rounded up for mass arrest. And it makes me wonder why they invest so much cunning and money to slip their secret agenda messages into these movies, only to see themselves lose the battle in the end [unless you were trying to disclose the truth slowly to the masses to prevent shock and chaos]. (see post: The Giver: More New World Order Duality Programming) Few if any would go see a superhero movie where the superhero loses the day. You might even say, by the power of subconscious/emotional manifestation and self-fulling prophesy, that the Nazi Illuminati are pre-destined to lose. But what if the truth were even more murky.
Near the end of the film, as Nick Fury makes his comeback, before he kills the evil HYDRA-Illuminati master played by Robert Redford, he says:
Nick Fury: You need to keep BOTH eyes open.
This is obviously a play on the fact that Fury wears an eye patch, however it is also a reference to all the Monarch mind-control one-eyed symbolism that you will find on Vigilant Citizen, also the one-eye in the pyramid, the eye of Osiris Horus. What does this mean? We have to go beyond the last scene of the film to find out. As the credits play, the treatment is a black-and-white chess board of duality, at one point showing the logos of HYDRA and S.H.I.E.L.D., mirrored in black and white.
It is Captain America who perhaps makes the most profound statement in the entire film when he says that both HYDRA and S.H.I.E.L.D. must be destroyed.
Then as is customary in these Marvel films, there is a hidden mid-credit epilogue scene, which is designed for hardcore fans, as a teaser for the upcoming second Avengers film. Somewhere in a HYDRA lab, Nazi archenemy Baron von Strucker is keeping Loki’s scepter and two prisoners: one with superhuman speed, the other with telekinetic powers (Quicksilver and the Scarlet Witch in the upcoming film.)
Baron Wolfgang von Strucker: Shield and Hydra, two sides of a coin…
The implication now becomes somewhat obvious – the Illuminati mastermind reveals the ultimate agenda, that they still manipulate both sides, white hats and black hats, in this game of duality toward some greater goal, Order out of Chaos.
By the end of World War II, the Nazis failed in their quest to bring fascism and the Third Reich to the globe. Their secret British Rothschild financiers eventually betrayed them. The United States, the home of Continental Freemasonry, appeared to defeat them. Yet Nazi scientific and occult secrets were clandestinely smuggled to safety. Some reports even state that Adolf Hitler made it to Argentina via submarine. But for the world at large, the Hydra was ritually beheaded. World War II cleared the path for the United Nations, the IMF, and the World Bank. It set up a new duality game, between the United States and the Soviet Union.
What new duality game will then be set up if the Nazi faction of the Illuminati are once again ritually beheaded, exposed, and arrested? An outside extraterrestrial threat?
Even the Vatican appears to be retooling their public image under the Jesuit pope. Meanwhile, certain alternative media sources are telling us that the BRICs alliance (Brazil-Russia-India-China), Pentagon white hats, and a White Dragons Society are working behind the scenes to defeat this Nazi cabal. Should some of these counter forces be considered a controlled opposition? Is there a false East/West paradigm at work? Or is the situation more complicated than a manipulated chess game?
Should we now focus upon a conspiracy within a conspiracy, traveling further into darkness? Indeed, no. We must be wary, yes, of the easy victory, of claims too good to be true, of a pre-packaged global institutional solution, of any external answer that distracts us from our true inner divinity and power.
Only by connecting to the higher vibrations that are pouring over this planet in this time of transformation can we hope to rise above the entrapment of a duality game. We must free our minds of duality thinking. We need to radically change our own thoughts and beliefs. [Personal Sovereignty to dispel the Incompetence presumption of Banks and Governments; self mastery!]
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| Image Credit: ©2007-2014 mbreitweiser |
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